About
Llewellyn Reichman (*1993) is a Berlin-born performance artist working within the unification of theatre, research, dance and music composition. She trained at the Ernst Busch Academy of Dramatic Arts Berlin and independently learned classical flute playing.
Her international career started with collaborations with the collective, The Family (Wojciech Kosma) in 2012. Following this she performed at Art Basel in 2014 (curated by Jeanne Graff) and participated in Jérôme Bel’s GALA in 2016.
Since 2018 her solo works have received support from the Goethe-Institut and she has performed in Europe, South Africa, Asia and New York.
Llewellyn was a scholarship holder of the Malkowski Stipendium from Akademie der Schönen Künste in 2025 where she finalised her performance Sirens - Song Of Foreign Shores and worked on her new music composition Armament of Notes.
In 2024 she was a founding member of the collective Riccardo Moebius which has received both state funding and other financial support.
In 2026 Llewellyn created her new solo performance Amygdala Her Rage which was created during a residency at L’Aria by the ACCR on Corsica.
In August 2026 she workied with Christiane Huber in the performance POOL PEOPLE and a show is planned for January 2027 called COSMO.
Alongside her performance work Llewellyn has collaborated as a musician with the techno label DUAT records Berlin.
Since September 2019 Llewellyn collaborates regularly together with the Belgian artist André Chapatte in a techno punk duo called Hyles who use poetry, flute and industrial sounds dedicated to the clubbing scene.
From 2016 until 2022 Llewellyn worked as a full-time ensemble member for German state theatres.
Llewellyn has further collaborated with composer and filmmaker Jannik Giger as well as the setdesigner and filmmaker Demian Wohler for the independent Art Films, Lamento (2024) and Addio (2026).